By Norman Ravvin
Targeting the way in which Jewish heritage - really the Holocaust - and culture tell postwar Canadian and American Jewish literature, this article deals readings of the works of influential writers reminiscent of Saul Bellow, Leonard Cohen, Eli Mandel, Mordecai Richler, Chava Rosenfarb, Philip Roth and Nathaneal West. Norman Ravvin highlights the worries that those disparate writers proportion as Jewish writers in addition to locations their paintings within the context of the wider traditions of mulitculturalism, postcolonial writing, and demanding concept.
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Extra resources for A House of Words: Jewish Writing, Identity, and Memory
Sepp" Dietrich looking severe.
S and Edith's automatic response to their visitor. 's nonchalant acknowledgment that "What followed was old hat. I have no intention of adding to any pain which might be remaindered to you, by a minute description of the excesses we performed with him. Lest you should worry for us, let me say that we had, indeed, been well prepared, and we hardly cared to resist his sordid exciting commands, even when he made us kiss the whip" (194). This achievement of sexual release through violence is reminiscent of an earlier scene in which F.
Whereas my husband and I were both born in the colony and are still carrying on farming operations there and have a great interest in that area we were wondering where you got your information. 14 What Sort of Home Is the Past? It was interesting to hear you say that your wife has been out taking pictures. Would it be possible to know of this, and when and where do you plan to have your book published. We would like to buy it when it becomes available. Thank you. Yours Truly. Mrs. N. Feldman (36) It is difficult to judge if the tone of these three neat paragraphs is sarcastic, a dismissal of Mandel's version of history as a sloppy fiction, or if it is simply searching, open to all possibilities.